"I,Pod" self-promotional advertisement campaign and design work for intentional distribution in the sans- San Francisco area.
A concert cover for WHO KNOWS WHO for the year 2005.
A summertime catalogue for an online e-tailer.
For a popular band for a popular record-label. Zombies, aahhhhhhh!
A proof-of-concept (no puns intended) aimed at a Tele-Cine firm. It was a new twist on the standard NTSC colour bars.
The old FlavorTeam.com brought together three other designers to fully make the team. It was a slow year, contrary to the saying that of Frank Sinatra.
My personal blog which unfortunately goes unused* for the current events of my life. (*Sans the movie section, of course!).
In an effort to create a distinguishable marketing campaign for Flavor Team, I combined bright, "caution" colors into something I like to call the Yellow & Black campaign. Shown above are the printed materials (business cards) and the CMYK card template. Imagine what we could do for your small business identity.
I was most recently recruited to work on two splash covers (for the doom metal bands "Swallow the Sun" and "Children of Bodom") and also on two standard banners (for "Swallow the Sun" and "Krisiun"). The banners were animated and at times presented some level of difficulty in managing file size versus cramming in the needed content.
DNA Studio hired us to create a mini-site for the American Idol/Cingular Internet Campaign. We came up with many open-ended ideas and stuck to the layouts above. We incorporated company assets, stock images, and logo-work into a theme aimed at the teenage viewers of the American Idol TV show.
San Francisco's premier men's store, The Hound, hired me to revamp their e-commerce site with a clientèle profile page, new splash headings, and various section updates. Visit the website at TheHound.com.
The revised layout of the Flavor Team brand was destined from the start to make its debut in a Flash-drenched layout like no other.
My hardcover photography portfolio turned out to be a head-turner, which has worked in my favor on several interviews and meetings. The kit included some of my best work, as well as insight and information behind each individual project.
Silent Circuit Design/Hosting hired me to collaborate on some finishing touches on their already designed layout.
This project was handed to us on a poor schedule by a directive firm. Our design was a hit with the management, but unfortunately, deadline restraints in the hands of the directing art firm forced them to deliver an end product far below my personal expectations (and intentions). Overall, the project serves as a lesson well-learned.
"Blood Orange" was shot on 35mm film, developed, studio printed, and retouched to its present state. The ideals are based on the grotesque, literal perception of real-life blood oranges.
This nameless piece is an example of the darkroom effect of cliché verre. It is a composition of several photographs I had taken earlier, mixed up, and etched together onto black and white photo paper. Both positive and negative renditions are displayed above.
A miscellaneous array of stock images, textures, and patterns were used to create this wallpaper, titled "Agency In." Download the full size here.
The vector work, inspired from several original photographs, was composed in Flash and Photoshop, and was my direct interpretation of modern cityscapes of Europe merged onto a flat plane. Download the full size here.
This collage, which shows the majority of my work, is a collage of the many projects I have created, participated in, or supported over the years. A selection of the work, some as old as five years, tends to embarrass me to this day, and the remainder, dressed in some sassy couture of the future, remind me of the affluence of styling and reason I ended up choosing to dress it up in from the beginning.